In a poor ancient Japanese island culture, Natsuo Kirino shows primitive religious power regimes as a specific example of social structures which are inimical to human life. Finding love, freedom and personhood means escaping their male dominated rules, which only a heroic few seek to do, but this in turn forces cycles of betrayal and bitterness which haunt human life from beyond the grave. It’s a gripping plot. Her female goddess dispenses retributive, vindictive death. There is, according to Kirino’s myth, no redeeming grace, no ultimate light.